I said, ‘There’s no doubt you can’t take me 1-on-1. You don’t use those fouls for LeBron and AD and the guys I’m guarding, especially when you know the referees are going to call the ticky-tack stuff.”Īnd Brooks’ retort? “What’d I say? I said, ‘Oh, finally you want to talk.’ We started getting into a conversation. Then I got to find a way not to get fouls on reads or transition, or when he’s driving. “He said, ‘You’re dumb for getting that foul,’” Brooks shared. Naturally, the media wanted to know as many details of their exchange as possible. He logged less than 23 minutes to James’ near-39, but Memphis was eight points better when Brooks was on the floor and 17 better with James out there. He picked up a fifth foul but otherwise was able to guard when it mattered. Grizzlies swingman Dillon Brooks, on LeBron James in Game 2īrooks, to his credit, bent but didn’t break. I pride myself on what I do, defense and taking on any challenge that’s on the board.” I don’t respect no one until they come and give me 40. He only said something when I got my fourth foul. He scored eight points the rest of the third quarter, then eight more in the fourth, finishing with a game-high 28. James, 38 years old and still producing at elite levels, had scored 12 points when the two began yapping. With Morant a pregame scratch due to a badly bruised right hand, the last thing Grizzlies coach Taylor Jenkins probably wanted was one of his guys goading James into something game-altering. The Lakers put together a 17-3 run that cut a 20-point gap to just 69-63. The Grizzlies led 66-48 at that point and things were in the process of getting much worse for the home team. James and Brooks began jawing with each other, a back-and-forth with which, mercifully, no referee intervened. With more than 21 minutes left, it was the sort of thing that might have put Brooks on his heels in his mission to shadow and pester the NBA’s all-time leading scorer. The intensity of their matchup dialed up considerably early in the third quarter, moments after Brooks got whistled for that fourth foul. I know my guys know that.”īrooks and James have been and will be antagonists for as long as this Western Conference first-round series lasts. If it’s LeBron, if it’s AD, if it’s whoever. I pride myself on what I do, defense and taking on any challenge that’s on the board. Sure didn’t say nothing earlier on,” Brooks explained. “He only said something when I got my fourth foul. In this case, that event comes Saturday, when the teams meet in Game 3 at Arena. The look and the words were fit for a WWE schtick, aimed to hype up ticket sales for next week’s card. “I don’t care, he’s old,” Brooks told a cluster of reporters from behind a pair of flashy sunglasses. Maybe not the wisest thing to do, given how much it might motivate a player who can hurt Brooks and his team in a dozen different ways. The poke came from Memphis wing Dillon Brooks, his stick a flurry of brash, even reckless comments the bear, LeBron James. It came more than an hour after the Grizzlies survived in Game 2 without All-Star point guard Ja Morant and beat the Lakers, 103-93, at FedEx Forum Wednesday night. MEMPHIS – The bear officially has been poked. With the iHeartRadio Urban Remix of the year award to add to a fast moving and impressive resume, the name is living up to the hype.Dillon Brooks and LeBron James got chippy during – and then after – Game 2 in Memphis. Heading into 2016, James has already notched up an exclusive mix on Mistajam’s peak time show on Radio One, and appeared on Kiss FM as well as his major label remix duties. With this, and gaining major support throughout the roster of BBC Radio One, James had pretty much got everyone’s attention, sealing club shows including Sankeys, Ibiza, BCM, Mallorca, Surrender, Las Vegas and Proud, London. His ‘Hotline Bling’ Remix has amassed over 2 million plays, and countless downloads to boot, which helped James in going viral by way of the music identification app, Shazam. His high energy DJ sets and forward thinking production, fusing the urban music world with house and garage, are propelling him to the attention of the major players in the music industry, as proven by his official remix duties on OT Genasis ‘Cut It’ and Yo Gotti ‘Down in the DMs’. James Hype had spent his early career cutting his teeth amongst the club circuits in the North of England.
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